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10 Apr

Thanksgiving American Folk Hymns

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Crypto-criminology refers to the dark, devious and dangerous side of humane nature. That strain of humanistic proclivity that crosses the boundaries of civility into brutality. This is a realm of “practical criminology”, applicability to the real world, where humane conduct defies profiling, foretelling and precise definition. Such an investigation descends to the depths of humane depravity, to damp gloomy dungeons of mental mayhem. For which, modern science has no useful, effective and effective means to explain all the possibilities. Of course, myth, magic and metaphor are allusions constantly present within this region of discussion. In one sense, it’s the exploration of humane evil and all it is inherent manifestations. And, in another sense, crypto-criminology seeks to delve into the mystery of why persons commit crimes. This is an assessment of criminal conduct to walk the eerie landscape of humane deviance that foments criminality. The search for progressed explanations includes thoughtfulness of the influence of “gothic metaphors” in literature, movies and other mass media. As such, “crypto” refers to the hidden, the mystery and the unrevealed. Like the word “gothic”, reference is made to the primitive and primeval notions of humane nature. A world of howling psychic werewolves, dreams of death and demonic influence. That subterranean mindset of monstrous meanings, vampiric violence and cunning cruelty.

In also related distinct features of study, there is the term cryptozoology. This often refers to the investigation of unknown or missing “animal” life forms. From this point, we could extrapolate that “crypto” proposes the hidden, mystery and mysterious nature of living things. By connection, there are likewise the constituents of knowing, studying and understanding unexplained phenomena. Such a notion aptly worries the field of criminology. To this day, we have a multitude of so called schools of thoughts. All of which fall short of adequate for the purpose explanations. The result has been a misguidance of social policy, public confusedness and failed application within the criminal justice system. Fact merges with fiction, and contemporary society flounders in the flawed chase of illusion and fabrication.

As truth becomes entangled with untruth, metaphors assert their presence to stumble at clear-cut rationalizations. The more we label, define and profile humans the more we find the difficultness in understanding the commissions of crime. So, the pursuit of the inexplicable nature of people follows the mystifying pathways of baffling occurrences, bizarre incidents and sordid acts of debauchery. “Crypto” pursues the macabre mind, specially in terms of primal existence, event selectivity and criminal causality. People make premeditated selections to commit crimes. Even the most atrocious acts of violence are planned and carried out with a singularity of logic and rationality. Yet, we stand in awe, shock and horror when such things occur. Maybe it is because we see a sense of ourselves in the violence, aggression and destruction. In this sense, crypto-criminology is staged as a mental mechanism by which to pursue a course of study in deviant behavior. And, as a consequence, that conduct that causes injury, trauma and death. By inquiry into the strange, perplexing and complex nature of criminology, we find the seductive connectivity to gothic notions of fable, legend and allegory. Suffice it to say, the secretive, dark and shadowy mental routine of humane conduct stay elusive to respective fields of the “pseudo sciences”.

In particular, the nature of evil eludes the precision of definitive understanding or specificity of prediction. It remains dark and buried in the fantasy of myth, magic and daydreams. So, in the realm of practical criminological issues, we look for number of things from which only one can be chosen on multi-dimensional levels. Avenues of the chase fetch the forefront premeditated capers on fringes of the exotic, the supernatural and the gothic. Or, preferably the ever-expanding realm of “crypto-criminology”. These cerebral processes engage in the eternal warfare of balancing the struggle amid good and evil. Myth, magic and metaphor surface in watery illusions of psychic aberrations. As we think, so do we act. To know, be and do is humane nature. When we fantasize, we also want to touch, feel and sense the manifestations of our creativity. Take it from one dimension to another. Lift it out of the psyche into the real world.

Looking in the mirror, ours is a reflectivity of what the face of evil looks like. Criminals are us and we are them. The only difference, galore control their behaviors, while others choose not to. We’re the lone gunman on the grassy knoll. And, we’re also werewolf hunter with the silver bullets, stealthily stalking in our own delusions. For us, ghouls, specters and phantoms huddle in the concealed caverns of the brain’s particular mirror, the mind. Figments of imagination find eventual fruition in urges, desires and motives. Gloomy thoughts hunger after the lust of life and the opposition of death. The study of crime, crooks and criminalistics, ought to never discontinue searching the limitless spires of humane thinking. Crypto-criminology asserts a formulating foundation of inquiry into the deep murky projections of mental reflections. And, in this eternal quest, our sleight of hand tactics become one of answering which is the final question. Is it a who done it? Or, is it a why done it? If the latter, then why?

For a basic investigative query, we flip the pages of the basic continuum in the who, what, why, where, when and how? Open minded, interdisciplinary and logical, we will have to consider the mischief afoot by following stringent investigative efforts, perceptivenesses and intuition. This enigmatic inquiry presses toward the cagey weirdness of humane beings. If, as galore suggest, we’re “mind hunters”. And, the mind is an illusion the brain conjures. Then, aren’t we actually hunting something that doesn’t exist? An apparition from the abyss of humane ideation, deep in the caverns of the cerebral processes? From religion to science, and everything in between, we baffle ourselves. Questions stay unanswered in the quest of dandier understanding of humane personalities, motivations and proclivities. By dreams and fantasies we construct our inner world, which transforms at a uninterrupted rate. Figuring out deviant conduct becomes one of speculation and educated guess work. Most of which, we can’t begin to comprehend. The tremendous reaches of the mystery confound the scientist, the priest, the press and politicians. When relegated to the philosophical regions of metaphysics, such as religion, the universe of ideology is wide open to speculation. The dreamscape of the dominion of humane darkness invites the images of vampires, werewolves and demons. Supernatural entities exude a kind of particular attachment in our furtive trickery cryptic mental wanderings. The humane puzzle has a multitude of pieces. Putting them all together occupies a timelessness that never ceases. In an evil world, anything is possible. Even the surprising strain of goodness.

Overall though, we struggle in criminology to establish precise measures of humane behavior. Confused by one theoretical constructs after another, we reach for myth, magic and metaphor to express our foilings in finding the extreme answer. And still, we have to receive that humane evil stems from humane thinking. A medieval realm cloaks the desires, motive and purposes of the things we do. At the same time, respective “schools of thought” contend with arguable notions pertaining to core essence of humane beings. Such is the sensual realm of good and evil, vice and morality, normal and abnormal, natural and deviant. Wickedness, malevolence and immorality touch each level of society. Human hypocrisy colludes to cover and conceal exposing truths. Contemporary explanations of criminal conduct have failed, yet numerous cling to simplistic notions and deceptively easy solutions. Fad, fashion and quick fix foster the inadequacy of effective explanations. From biological theories to sociological configurations, the search for precise determinants of our criminal nature can not deduce a specificity of factors. Instead, what we have is a multiplicity of academic theories subject to wide speculation. We’re left with stumbling in carrying out or participate in the darkness of humane inclinations. Thus, we put on our black capes, grab crucifixes and holy water. Pick up wooden stakes and load silver bullets to become “mind hunters” to “hunt monsters”. To which, we discover the complicatednesses of the humane safari. Hiding in the psychic landscape is the brain’s creativity, which is an illusion for mysterious cryptic cerebral processes.

Within the complexity of humane behavior, resides the potential for criminality in all of us. Influential in this routine of person ideation, is the role of religious beliefs and related philosophical ideologies. All over the world, people of dissimilar faiths, exercises and rituals project personifications of evil, devils and demons. It is reflective in the expressions of our various world-view. We relish in seeing badness on the outside and never on the inside. Our mental housing keeping is very private. Thus, seeing God and Satan in mortal combat mirrors the Jekyll-Hyde constructs of our own personalities. To this end, wicked forces are seen to walk the earth, tempting men and women to do deviant things. Variations of “evil figures and forces” reflect cultural assertions in regards to humane nature in a planetary scheme. So, the ideas of dark images, primitive urges and gloomy scenery persist in our thinking regarding crime causation.

This duality of thought, good versus evil, portrays the ongoing allegory of our cosmic struggle. Such notions influence our reference points in regards to the nature of crime. The who done it is always a why done it. Motive marks the myths of our thoughts. Often in the assorted media, we allude to the temptations of dark side of humane behavior. In doing so, our fairy tales mingle with reality and merge fact with fiction. In chasing urban legends, we conjure up “vampires or werewolves” to explain deviance and criminality in others. Folk tales, fables and affiliated stories arouse images of imaginative manifestations. The dungeons of our mind mirror the psychic proclivities of our personal seductions. We concede ourselves to be pulled toward the covetousness of our gain. From the yarns we spin, the chronicles of our thoughts hold the mysteries relative to our motivations and intents.

Crypto-Criminology takes us into these mental archives where we’ve filed our allegorical enchantments. The cryptic logic, by which we rationalize, pardon and mitigate atrocities, resides in this subconscious surreal realm of belief. Such prurient carnality lives in the immense legerdemain of our psychic. We don’t want to think in regards to the nature of our own inherent inclinations. Our penchant toward shadowy selfishness, conceited and deviant activities, is worrisome and makes us anxious. But, we are the demons and they are us. Our self-interests come before those of others when ever possible. We’ll go to any lengths to get what we want, when we want. To fulfill the fantasies of our ideation, people are competent of any act of debauchery, defiance and deception. Nefarious deeds recognise no boundaries in the darkened tunnels of the humane mindset. Given the pervasive extent of contemporary media forms, criminological fact has folded behind the curtains of fictional depiction. The visualization of a conception of evil has become a contemporary preoccupation in both story telling and real-life. Its linkage finds the pathway to the unconscious regions of mental processes. Mystifying conduits amidst fantasy and reality surround the senses. Our thinking provokes intrusion into consciousness. Once there, we find ways and means to project the expressions of the psycho-drama taking place within. The darkness of humane spirit ignites the flames of a individualized “holy war” in the struggle of person good and evil. In the shaded gloominess of the dark encounters, ours is the face of enemy which we developed in our own image. Accordingly, the search proceeds for a comprehensive revelation concerning this perplexing species called humankind.

References:…

“Crime and the Gothic: Sexualizing Serial Killers”, by Caroline Picart, Florida State University, 2006 – School of Criminal Justice, University at Albany, Journal of Justice and Popular Culture;

Peck, M. S., People of the Lie – The Hope or Healing Human Evil, (New York, NY: Simon and Shuster, 1983), pages 40-41;

Schmalleger, F., Criminology Today – An Integrative Approach – Fourth Edition, (Upper Saddle River: Pearson-Prentice Hal, 2006) page 173;

Baumeister, R. F., Evil – Inside Human Violence and Cruelty, (New York, NY: W.H. Freeman and Company, 1996), pages 66-67;

Keen, Sam, Hymns to an Unknown God – Awakening the Spirit of Everyday Life, (New York, NY: Bantam Books, 1994), pages 60-61;

About the ActorThe BYU Singers are a small, select choir of flexible singer-musicians. As one of the major touring ensembles of the university, the Singers have traveled allround the United States;  twice to Russia; three times to Israel; to Australia and New Zealand; the countries of Western and Eastern Europe, including the Baltic States; and most not so long ago to West Africa and Hawaii. First coordinated in 1984 by Ronald Staheli, the choir has attained the reputation of a captivating, versatile choir with an impressive range of repertoire and style.
     The choir brings together approximately 40 multi-talented students from all areas of North America, representing a wide diversity of instructional pursuits: science, engineering, humanities, languages, and of course, music. Audiences are moved not only by the potpourri and virtuosity of a Singers concert but by the warmth and full dedication of each performer as well.

The BYU Concert Choir is comprised of 90 innovative singers who are committed to a challenging choral experience. This very select ensemble has acquired an outstanding reputation for it is captivating performances of a wide potpourri of repertoire, taken from the outstanding choral creative writing of recognized artisti value and encompassing a heap of dissimilar styles and genres. Although the Concert Choir does not in general tour, a stringent performance schedule both on and off campus requires significant commitment and stamina. All programs, which ordinarily incorporate pieces in assorted dissimilar languages, are performed from memory.

The BYU Men’s Chorus is the greatest collegiate male choral institution in the USA and is known not only for it is polished musical performances, but likewise for it is engaging and agreeably diverting performance style. Its repertoire is wide and varied, ranging from the traditionalisti creative writing of recognized artisti value for male voices to powerful arrangements of hymns, folk songs and spirituals. The choir is one of BYU’s most ordinary performing groups, steadily singing to sold-out concert halls both on and off campus.

The BYU Women s Chorus is a huge group of select, versatile singers who carry out a diverse repertoire extending from medieval and renaissance works to masterworks of our own time. Folk music and other varied genres are included in the choir’s study and performances. The choir is well known for it is beautiful, blended sound from pristine, quiet unison to the majesty of big textured sonorities. Sensitive musicianship and neverending betterment are goals for each rehearsal and performance.

The BYU Philharmonic Orchestra is the premier orchestra in the BYU School of Music. Led by conductor Kory Katseanes, the Philharmonic comprises 100 of BYU s finest student musicians and is well known for it is massive sound and thrilling performances. The orchestra is widely traveled in it is biennial territorial U.S. tours, including the honored invitation to carry out at the American String Teacher Association (ASTA) national group discussion in February of 2005.
     Professor Katseanes came to the university thru the Utah Symphony, where he started out as a violinist in 1975 and served as assistant conductor from 1987 to 2002. As conductor of orchestras he likewise conducts the Chamber Orchestra and oversees the five orchestras in the School of Music.
     The BYU Philharmonic may also be seen and heard on Tantara s best-selling CD and concert video A Thanksgiving of American Folk Hymns; on the popular follow-up CD and video Songs of Praise and Remembrance; on the premier recording of the introductory version of Mendelssohn’s Concerto for Two Pianos in E Major; and and on the CD and DVD of Mahler: Symphony No. 2 in C Minor, “Resurrection.”

Thanksgiving American Folk Hymns

Thanksgiving American Folk Hymns Image

Thanksgiving American Folk Hymns

Thanksgiving American Folk Hymns Pic

Thanksgiving American Folk Hymns

Thanksgiving American Folk Hymns Picture

Thanksgiving American Folk Hymns

Thanksgiving American Folk Hymns Photo


Wonderful expression of tradtional American music.
This is a extremely pleasing DVD of faith-filled music, done with an unbelievable spirit. I have exhaustively enjoyed the CD for over 10 years and when I came accross the DVD I purchased it. The final song, “Come Thou Fount”, is worthy of a finale from any of the greates performers. I highly commend this DVD.

choral music
Loved it so much that I purchased the dvd as well. Excellent! That was an splendid choir, and you could see that numerous of the singers put their whole hearts and lives into what they were singing. Thank you so much for this cd.

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