Radio Collector's Afficionado's Resource

The Landrover Series is considered one of the most ordinary and successful off-road vehicles ever produced. The marque itself is highly recognized as a British brand since the initial Land Rover Series I vehicle came out of it is Solihull factory near Birmingham back in 1948. The Land Rover name is owned by the Jaguar Land Rover operation of the Tata Motors of India which proceeds to formulate the marque that now has more than half a century of existence behind it is name and carries newer models like the Discovery, Defender and Freelander.

A Short History

The very primary Land Rover was inspired by the Ford / Willys Jeep that was ubiquitous all around WWII as the choice mode of land and all-terrain transport by US military men. After the war, it was natural for the British to make it is own version for it is own military use, thence was born the Land Rover Series I made by the Rover Company and unveiled at the Amsterdam Motor show in 1948.

It had changed hands over the last quarter of a century starting in 1967 when the Rover Company became portion of the Leyland Motors which at last became British Leyland. Then British Leyland was renamed the Rover Group Plc in 1986 before being privatized and sold off to the British Aerospace in 1988.

In 1994, BMW acquired the Rover line that now included the Range and Land Rovers. Then in 2000, BMW sold it is Rover line to Ford Motors which continued to construct both marques until 2008 when the financially troubled Ford sold it is Jaguar and Rover line to the Tata Motors of India.

It’s interesting to note that the Land Rover was just a brand in it is primary years beneath the Rover Company and British Leyland. It was then spun off as a distinguished Land Rover Ltd in 1978, but not before freeing the Series II and IIA in 1958 and 1961, respectively and the Series III in 1971. By 1976, LR under British Leyland devised it is 1 millionth vehicle.

Popularity

Just like the US Jeep, the Landrover Series formulated a road tradition that started with military use. At regarding the same time, the Series I, II and II became the choice amid explorers as an particular all-terrain vehicle transporting goods, machine and people throughout new and often times treacherous lands.

It’s not not common to see them in pop culture as in Hollywood movies in regards to Tarzan and jungle exploration. In addition, highly altered versions from private owners have competed in the famous Paris Dakar Rally to win the Macmillan 4X4 UK Challenge endurance race for off-road vehicles and wining it closely each year since the event started in 2002.

Its capacity to take in a ton of payload and hauling as much 4 tons with a very effective 2-liter diesel and petrol engine is almost legendary. Its most enduring quality is it is power take off (PTO) made possible by it is Hardy-Spicer propeller shaft and gearbox that permitted it is versatile use in farmlands.

Its after-market accessaries are amid the most varied and versatile in a 4X4 all-terrain vehicle permitting a range of utilitarian styles from canvass-topped pick up to full station wagon types as well as conversion kits for an amphibious land Rover, a fire engine, a truck bed, snow plough, ambulances, among others.

Today, land Rover maintains that roughly 70% of all it is Series line remains roadworthy – a testament to it is enduring bequest as arguably the best off-road vehicle that inspired a generation of SUVs.

Same Time Station Television 1948 1961

Ever wonder how American television came to be the much-derided, advertising-heavy home to reality programming, formulaic circumstance comedies, hapless men, and buxom, scantily clad women? Could it have been something different, focusing rather on culture, theater, and performing arts?

In Same Time, Same Station, historian James L. Baughman takes readers behind the scenes of early broadcasting, examining corporate machinations that determined the future of television. Split into two camps—those who thought TV could meet and perchance raise the expected values of wealthier, better-educated post-war buyers and those who believed success meant mimicking the merchandise of movie houses and radio—decision makers fought a battle of ideas that peaked in the 1950s, just as TV became a central facet of each day life for most Americans.

Baughman’s engagingly written account of the brief but contentious debate shows how the inner workings and outward activenesses of the major networks, advertisers, producers, writers, and entertainers in the long run made TV the necessary forum for amusement and information. The tale of television’s founding years reveals a series of conclusions that favored mercantile success over cultural aspiration.

Review

Baughman’s study is interesting from a policy point of view… it is also evocative as a spun through the index will show.

Baughman tells a intimate story—commerce crushes cultural aspiration—but he adds fresh and arousing and attention holding details from behind the scenes at the television networks. And he refrain from nostalgia for a ‘golden age’ of television that never was.

The amount of time that Baughman covers is the ‘golden age of television’—the much mourned era of dramas by Paddy Chayefsky and documentaries by Edward R. Murrow… Although Baughman is scrupulously respectful of the accomplishments of Weaver, Murrow, and other heroes of fifties television, he never misses a chance to offer up contrarian material.

Though not the primary study of this period, this is surely one of the more readable and perceptive — and well documented.

This book is full of interesting stories and facts. Summing Up: Essential.

College-level collections strong in media history will find this an beautiful addition… accessible even to lay readers.

The most thorough, well-researched, and broad-ranging history of television we have to date… Baughman’s accomplishment is a major one.

Readers of Journalism History… are spurred and encouraged to read this book.

A thought-provoking book… Does a masterful occupation of engaging the academic discourse and media theory.

Baughman, a gifted historian and scholar, provides the reader with deep clear or deep perception into television in the 1950s. Same Time, Same Station explains without doubt or question how the origins of yesterday’s television led to what we all see today. Baughman’s balanced perspective illuminates our understanding of this most powerful voice in America.

A fascinating, engrossing work that seamlessly traces how an object of curiosity became a medium that is both primary and inescapable. Baughman’s scholarship is astonishing, his writing bright and engaging.

Same Time, Same Station is a scholarly pleasure to explore and ought to be in each university library where media studies are taken seriously.

About the Author

James L. Baughman is professor and conductor of the School of Journalism and Mass Communication at the University of Wisconsin–Madison and author of The Republic of Mass Culture: Journalism, Filmmaking, and Broadcasting in America since 1941 and Henry R. Luce and the Rise of the American News Media, both published by the Johns Hopkins University Press.

Same Time Station Television 1948 1961 Picture

Same Time Station Television 1948 1961 Photo

Same Time Station Television 1948 1961 Photo

Same Time Station Television 1948 1961 Image

Most helpful client reviews

3 of 5 humans found the following review helpful.
An incisive and potent manifestation
By Maria Escaranza
For all studiers of media history (and those like me who were students of Prof. Baughman), this book represents a millstone event. It is necessary reading for understanding how the landscape of American broadcast media fed on itself to become indistinguished, neutered and banal. Also, it is an open window into the arousing and attention holding mind of the author, who sees the sweep of media history with a passionate, alluring set of eyes. For fans of Prof. Baughman, this is the moment so long we’ve waited for.

1 of 2 persons found the following review helpful.
An engaging survey
By Midwest Book Review
SAME TIME, SAME STATION: CREATING AMERICAN TELEVISION, 1948-1961 comes from a historian who examines early broadcasting history, corporate influences on the future of television, and cultural worries which influenced early decision manufacturers as they invented and promoted radio, TV and film. As such college-level collections strong in media history will find this an beautiful addition, providing an engaging survey of American media history for the duration of it is formative years and including sufficient lively dialog to make it accessible even to lay readers.

Diane C. Donovan
California Bookwatch

2 of 6 humans found the following review helpful.
Skeptical Me
By Janet Mccormack
I found the stories of early television outstanding fun. They brought back memories of all the shows I watched in those fuzzy black and white days. I learned a lot with regards to UHF and VHF that failed to impress me at the time. I have only one caveat don’t take all this too seriously. When an author states that the Korean War took place in the mid-fifties (actually 1950-1953) it calls into question a lot of other facts that may or may not be accurate. Wasn’t this book edited?

See all 3 client reviews…