Not Breaking Any Barriers, But Worth A Listen
It would have been very easy to trash this to album, to wholly rip it apart. Afterall, Dope have always been more or less of a secondary act in the nu-metal genre, and the fact that the genre is engaged in a struggle to keep alive makes it all the posing no difficulty to criticize a band like Dope who stubborningly stick to their guns. But this is actually a good album. “American Apathy” is rather perhaps the definitive Dope album, combining elements from all three or their former releases into one delighting album.
Like all of Dope’s releases, there is a definitive cheese-factor here. The overuse of the “F” word is just one prime example. But, once you may get past that, there is an album here that is instantaneously enjoyable. A bit brainless, yes, but it works. Opening with a passage from the bible of Dubya, “I’m Back” aims to prove that Dope are far from dead. Following it up, better songs such as “No Way Out” “Survive” and “Always” have the band stretching out a bit from the norm. Instead of sounding like a low-grade version of their contemporaries in Powerman 5000 and Static-X, Dope manage to find a groove, and fall someplace in among Fear Factory and Disturbed. The album is drenched in political lyrics and anti-Bush sentiments, so songs such as “I Wish I Were President” and “Revolution” speak for themselves. As strong as the original half of the album is, though, it have a tendancy to come undone with songs like “Let’s F—” and “F— The World.” A cover of Depeche Mode’s “People Are People” sounds a bit weird and out of place here, but does a lot to show that Dope aren’t just a one-trick pony.
If the album itself isn’t enough, a great deal of bonus material — which dwells to a considerable degree on old material — is included to equivalent more bang for your buck. “F— The Police 2005″ is a bit pointless, as Dope’s firstborn cover did not one thing — but others like “Spin Me Round” (from the “American Psycho” soundtrack) and “Bring It On (F— Tomorrow Mix)” more than make up for it. Overall. Dope’s fourth is their finest. Sure, it has moments where it sags and the aformentioned cheese-factor does drag it down a bit, but as for simple, satisfying nu-metal, “American Apathy” delivers the goods.
Good, but not extraordinary
I purchased this cd primarily because i heard dope was great from a friend, and for the most portion i agree with him on that. The only downside is this was supposed to be a metal album, yet a few songs sound kind of whiny/punk to me, like Dream. Overall even though the album was great, and if you got the bonus edition with the extra trakcs, the remixes are just as good.
True testament to what Dope sounds like live
“I’m Back” will most likely be Dope’s anthem for their current tour, though they never stop touring. It’s loaded with in-your-face drums and deafening licks. “Survive” sticks with the anthem feel, but this time it’s more personal as Edsel speaks his mind when it comes to those that have tried to hold him back. On “Always, Edsel takes a more melodic approach to his vocal delivery…and it works. The chorus comes off as unforgettable as any rock radio track. The riff is simple, but still effective sufficient to stick in your head. Nothing goes hand and hand with hard rock than sex. So it only makes sense that Dope included the blood pumping song “Sex Machine”.
If that isn’t sufficient sexual energy for you, then “Let’s F***” will surly get your juices flowing. Edsel doesn’t mince words here. He gets straight to the point. Virus’ chunky riffs go head-to-head with Edsel’s melodic vocals on “Dream”, as Edsel shows that there is more to him than his on stage persona. Dope injects a lot more muscle into the Depeche Mode classic “People Are People”. The gang keeps things melodic so you don’t miss the importance of the songs lyrics. Always the fan friendly artist, Dope includes three bonus tracks; “Bitch (alternate version)”, “F*** tha Police 2005″, and “Burn”. There are other versions of this release that include a bonus disc of six more songs and a DVD.
The Bad
This may be Dope’s best outing yet, but regrettably the genre is hanging onto a thread. A couple of the tracks seem a bit amateurish for a band that’s been around for a while (“F*** the World” & “I Wish I Was President”).
The Verdict
I purchased the initial Dope album after catching them at a live show back in 1999. I was highly disappointed. Dope has surely bettered in sound quality and song construction. Like I said earlier, American Apathy is Dope’s best album to date. It’s full of intense industrial metal with a nice splash of melodic mayhem. The album is a unfeigned testament to what Dope sounds like live.
